Those decades past-images were printed, not posted, not shared.Īn earlier photographer Cartier Bresson described this instant as the “decisive moment.” The contemporary museum goer uses the time to capture the image on a cell phone and then turns and takes a selfie– capturing themselves with the woman with a water jug…perfection of atmospheric Dutch Renaissance–window light streaming in from the left. It still is the only image of my own hanging on my wall at home. Pressing the shutter release was an act of pure faith.įorty years ago I stood in a dark, abandoned museum of natural history in Paris and opened a shutter for 16 minutes with a Hasselblad (camera) on a tripod and waited, and prayed. The image was something curated and precious. I grew up with a camera and existed in a world where the camera was a window into something special. But he still hoped to capture something unique, something memorable in his constant ballet movement of picture taking. The rolls represented 90,000 separate moments, frames, ideas. When he died, in 1984, he left 2,500 rolls of undeveloped film.įilm was the photosensitized support where images were “captured” and chemically processed. He shot two rolls of film walking from the Art Department to the UCEN for a cup of coffee. The song follows Bentley’s 22nd chart-topping hit, “Gold.”įans can catch Dierks Bentley on his GRAVEL & GOLD TOUR through the summer.Winogrand visited UCSB in 1979. ![]() There is always a little hesitation about putting a new song in the set, but it’s sounding so good live and I appreciate the fans who already know it and are singing it back to us.” Dierks Bentley Photo Provided “For me, that looks like putting my phone down, getting out in nature with my family, writing songs with my friends…doing the things where I find real connection. “I think we are all seeking something a little deeper than what’s on the surface, the things we see on social media,” said Bentley. “Yeah, I need a little backbone in my backbeat/ I need a little lifelong in my front seat/ I need the kinda moments that make my whole wide world stand still/ I wanna hear about a deep cut, a heartbreak/ Yeah, tell me ’bout your hard times, your mistakes/ Give me something that’ll burn, I can turn into something I can feel/ Yeah, I want somethin’ real, somethin’ real,” he sings while backed by pedal steel, mandolin, banjo and guitar sounds.īentley co-wrote “Something Real” while on a writing retreat in Colorado with Ross Copperman, Michael Hardy, Ashley Gorley, and Luke Dick. ![]() The group’s show at Seven Peaks Music Festival was canceled due to inclement weather and they’ll be “coming back with a vengeance” for their show on Labor Day. In addition to Bentley’s shows at Red Rocks, his hilarious ’90s-influenced band Hot Country Knights, will headline a show at Dierks Bentley’s Whiskey Row Denver on Labor Day (Sept. “I’m bringing along some of my favorite singers and musicians to give the fans two nights they’ll never forget.” ![]() Some of the best concert experiences of my life have been in Colorado, and that venue is certainly at the top of the list,” Bentley shared. “It’s been seven years since I’ve played Red Rocks, so when I heard that we could get two nights on the schedule there, I jumped at it. A post shared by Seven Peaks to a press release, the Seven Peaks Festival community of fans and friends will have access to presale tickets beginning Thurs., June 22 ahead of the general onsale next Friday, June 23 at 10:00A local time at.
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